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FIRST in PLSN
There was an article in PLSN (Pro Lights and Staging News) about nationals. Theres some good lines about the competiton and more facts for all of us stat junkies on the AV stuff at nationals.
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Re: FIRST in PLSN
Graet Article. Thanks for sharing. I also have a love for A/V and Lighting.
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Thanks for posting this! I have always loved talking with the AV guys at the various venues. |
Re: FIRST in PLSN
heh...they called us wiz kids.... :D. Cool article. More press for first means more good things for first.
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Re: FIRST in PLSN
Oh, wow. You guys were all in the "A/V Club" in high school, weren't you? :ahh:
(so was I) |
Re: FIRST in PLSN
The thing that stands out to me most is that that article not only did a great job explaing the A/V side of the competition, but it was better than most newspaper articles on FIRST in general!
Cory |
Re: FIRST in PLSN
Nothing against the robots that were in the photo but couldn't they have found a better picture? How about those matches where 4 bots hung or an overview of Einstien during the finals?
Great artilce nonetheless. Glad to see we are getting significant media coverage on all of our hard work. -Diobsidian |
Re: FIRST in PLSN
That's a good article and just goes to show that you never know where FIRST will get publicity. :)
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Re: FIRST in PLSN
That referee standing right in the middle of the picture on the left sure looks like Stu Bloom from the RoboDevils (1018). You may remember stu as one of the guys who got stuck in the Marta elevator for over an hour. :p
Oh yeah, and that was a really awesome article. One mistake that stood out though was that it said this is FIRST's 10th year. I think maybe perhaps this was the 10th year for the Championships. |
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I still have my card someplace ... I found it while looking for something else a year or so ago. |
Re: FIRST in PLSN
Andrew, is this in the June issue?
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(trying not to be too biased since my robot is one of the ones pictured). |
Re: FIRST in PLSN
Some of us love this stuff so much, we make our careers doing it ;)
BTW, moving lights are really nothing more than robots, lots of stepper motors and gears. Take away the optics, and you could have a neat robot. All us moving light programmers do is tellthem what to do, and when. We are kind of where art meets technology. I just got finished doing the Upfronts for the Univision network in new york. We had over 100 moving lights, and I ran a number of catalyst systems, which allow us to do video stuff as well, along with projectors which I can remotely move along with the lights. Pretty cool, considering I had three dual 2gHz G5's, one for monitoring with a couple of flat screens. (my control setup is in my "who am I" pic, 5 screens in all) |
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I think it is a GREAT picture! |
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